PompeiiinPictures

VIII.2.28

VIII.2.28

VIII.2.28
Looking south towards entrance and atrium, from Casa della
Regina Carolina.

VIII.2.28

VIII.2.28

VIII.2.28
Photographed 1970-79 by Günther Einhorn, picture courtesy of his son Ralf Einhorn.

VIII.2.28

VIII.2.28

VIII.2.28
In the north-west corner is a masonry base, just visible
to the left of the column.
This was the lararium. The top of it had three small steps
of marble (see below).
The aedicula that was originally on the base has
disappeared.
On the north wall above the base, when excavated, the
figures of the Lares could still be seen.
See Boyce G. K., 1937.
Corpus of the Lararia of

VIII.2.28
Photographed 1970-79 by Günther Einhorn, picture courtesy of his son Ralf Einhorn.

VIII.2.28
![VIII.2.28 Pompeii. Found on 28th June 1758. Wall painting of a counting frame on a pile of coins, an inscribed open diptych, a cask with fruit and a bag which may contain coins.
The open diptych contains CIL IV 1174. Now in Naples Archaeological Museum. Inventory number 4675. See Pagano, M. and Prisciandaro, R., 2006. Studio sulle provenienze degli oggetti rinvenuti negli scavi borbonici del regno di Napoli. Naples : Nicola Longobardi. (p.27 where the last line of CIL IV 1174 is given as “actu cara”) PAH I, 1, 77.
See Helbig, W., 1868. Wandgemälde der vom Vesuv verschütteten Städte Campaniens. Leipzig: Breitkopf und Härtel. (1725).
See Varone, A. and Stefani, G., 2009. Titulorum Pictorum Pompeianorum, Rome: L’erma di Bretschneider, (p.365)
According to Epigraphik-Datenbank Clauss/Slaby (See www.manfredclauss.de), CIL IV 1174 reads
Septimea
Acci caese
Marcella
Amaranti
actu(m) Pom(peis) [CIL IV 1174]](8%2002%2028%20p1_files/image013.jpg)
VIII.2.28 Pompeii. Found on 28th June 1758.
Wall painting of a counting frame on a pile of coins, an
inscribed open diptych, a cask with fruit and a bag which may contain coins.
The open diptych contains CIL IV 1174.
Now in Naples Archaeological Museum. Inventory number 4675.
See Pagano, M.
and Prisciandaro, R., 2006. Studio sulle
provenienze degli oggetti rinvenuti negli scavi borbonici del regno di Napoli.
Naples : Nicola Longobardi.
(p.27 where the last line of CIL IV 1174 is given as “actu
cara”) PAH I, 1, 77.
See Helbig, W.,
1868. Wandgemälde der vom Vesuv
verschütteten Städte Campaniens. Leipzig: Breitkopf und Härtel.
(1725).
See Varone, A. and Stefani, G., 2009.
Titulorum Pictorum Pompeianorum, Rome: L’erma di Bretschneider, (p.365)
According to
Epigraphik-Datenbank Clauss/Slaby (See
www.manfredclauss.de), CIL IV 1174 reads
Septimea
Acci caese
Marcella
Amaranti
actu(m) Pom(peis) [CIL IV
1174]
![VIII.2.28 Pompeii. Found on 28th June 1758. Wall painting of a small piece of architecture, two books, two ink stands and a pen, and a semi open scroll with many words visible. The scroll contained a poem found in several places in Pompeii. See CIL IV 1173. Now in Naples Archaeological Museum. Inventory number 4676. See Pagano, M. and Prisciandaro, R., 2006. Studio sulle provenienze degli oggetti rinvenuti negli scavi borbonici del regno di Napoli. Naples : Nicola Longobardi. (p.27) PAH I, 1, 77.
See Varone, A., 2002. Erotica Pompeiana: Love Inscriptions on the Walls of Pompeii, Rome: L’erma di Bretschneider. (p.62-3).
See Helbig, W., 1868. Wandgemälde der vom Vesuv verschütteten Städte Campaniens. Leipzig: Breitkopf und Härtel. (1724).
According to Epigraphik-Datenbank Clauss/Slaby (See www.manfredclauss.de), CIL IV 1173 reads
Quisquis
ama(t) valia(t)
peria(t) qui nescit ama[re]
bis tanti
periapt
quisqu
is amare
vota(t)
felices
adias maneas
o Martia
si te vidi
dum nobis
maxima
cura placet [CIL IV 1173]](8%2002%2028%20p1_files/image014.jpg)
VIII.2.28 Pompeii. Found on 28th June 1758.
Wall painting of a small piece of architecture, two books,
two ink stands and a pen, and a semi open scroll with many words visible.
The scroll contained a poem found in several places in
Pompeii. See CIL IV 1173.
Now in Naples Archaeological Museum. Inventory number 4676.
See Pagano, M.
and Prisciandaro, R., 2006. Studio sulle
provenienze degli oggetti rinvenuti negli scavi borbonici del regno di Napoli.
Naples : Nicola Longobardi. (p.27) PAH I, 1, 77.
See Varone, A.,
2002. Erotica Pompeiana: Love Inscriptions
on the Walls of Pompeii, Rome: L’erma di Bretschneider. (p.62-3).
See Helbig, W.,
1868. Wandgemälde der vom Vesuv
verschütteten Städte Campaniens. Leipzig: Breitkopf und Härtel. (1724).
According to Epigraphik-Datenbank Clauss/Slaby (See www.manfredclauss.de), CIL IV 1173 reads
Quisquis
ama(t) valia(t)
peria(t) qui nescit ama[re]
bis tanti
periapt
quisqu
is amare
vota(t)
felices
adias maneas
o Martia
si te vidi
dum nobis
maxima
cura placet
[CIL IV 1173]

VIII.2.28
Now in
See Pagano, M.
and Prisciandaro, R., 2006. Studio sulle
provenienze degli oggetti rinvenuti negli scavi borbonici del regno di Napoli.
Naples : Nicola Longobardi. (p.27) PAH I, 1, 77.

VIII.2.28
Wall painting of a ship with a square sail crossing the
harbour of a port.
Now in
See Pagano, M.
and Prisciandaro, R., 2006. Studio sulle
provenienze degli oggetti rinvenuti negli scavi borbonici del regno di Napoli.
Naples : Nicola Longobardi. (p.28) PAH I, add., 138-139.

VIII.2.28
Wall painting of landscape with buildings next to a river
with fishermen on the rocks.
Now in
See Pagano, M.
and Prisciandaro, R., 2006. Studio sulle
provenienze degli oggetti rinvenuti negli scavi borbonici del regno di Napoli.
Naples : Nicola Longobardi. (p.28) PAH I, add., 138-139.

VIII.2.28

VIII.2.28